English: The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death.
The ballet-like elegance of the figures is characteristic of 18th-century Venetian history painting, as is the delight in exotic elements, such as the costumes and ritual objects of the pagan priests.
Date
circa 1735
date QS:P571,+1735-00-00T00:00:00Z/9,P1480,Q5727902
Glaenzer and Co., New York [date and mode of acquisition unknown]
Henry Walters, Baltimore, 1907 (?) [mode of acquisition unknown]
Walters Art Mueseum, 1931, by bequest
Exhibition history
The Greek Tradition in Painting and the Minor Arts. Baltimore Museum of Art, Baltimore. 1939. Tiepolo Unveiled: The Restoration of a Masterpiece. The Walters Art Gallery, Baltimore. 1996.
Credit line
Acquired by Henry Walters, 1907 (?)
Inscriptions
[Transcription] On stretcher: E G/118/;0 939/ Paris 118; [Transcription] On stretcher in red: E. G. 213.2; [Seal] Red wax seal on reverse of canvas with coat of arms and inscription in Polish (?)
References
Federico Zeri (1976) (in English) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 450 , pp. 561−562 OCLC: 2463997.
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== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Giovanni Battista Pittoni}} |title = ''The Sacrifice of Polyxena at the Tomb of Achilles'' |description = {{en|The tragic moment depicted is from the end ...